Chapter 9 - THE GRANDFATHER'S LIE
The interior of the SUV was silent except for the hum of the tires on the wet mountain road.
Luca stared at the yellowed parchment in Hannah’s trembling hands.
“My grandfather?” Luca whispered, his voice entirely hollow. “That’s impossible.”
Answer one: Antonio Moretti hadn't just been a cowardly bystander seventeen years ago. He was the architect of the entire tragedy.
“Look at the dates, Luca,” Hannah said, pointing to the meticulously written columns. “These transactions are from eighteen years ago. A full year before your grandmother died.”
Luca scanned the ledger. The ink was faded, but the handwriting was undeniably his grandfather’s elegant script.
“He was transferring money out of the family’s legitimate trusts,” Luca read, his face hardening into stone. “Millions of dollars, funneled into offshore accounts controlled by the Petrov syndicate.”
“Antonio was embezzling from his own wife,” Hannah realized, the horrifying truth settling over her. “Your grandmother wasn't changing her will because she hated the syndicate. She was changing it because she found out her husband was stealing from her.”
Luca leaned back against the leather seat, the betrayal hitting him with the force of a physical blow.
“And when the stroke hit her,” Luca pieced it together, his voice dropping into a deadly monotone, “it wasn't my father who stood over her and watched her die. It was Antonio.”
Hannah looked at the music box in her lap.
“My mother was delivering this music box to your grandmother that night,” Hannah said. “Antonio must have hidden the ledger inside it before your grandmother could give it to her lawyers. When my mother witnessed him letting his wife die, he panicked.”
Open two: If Antonio was the true villain, why did he blame his dead son? And what does the brass key unlock?
“He blamed my father because my father was already dead,” Luca said, his eyes burning with a cold, terrifying fury. “It was the perfect scapegoat. And he kept Patricia Voss on the payroll to enforce the lie and manage the Petrov deal.”
Luca pulled out his phone. He dialed his security chief, Marcus, who was currently setting up the ambush at the Brooklyn shipyard.
“Marcus,” Luca barked when the line connected. “Abort the shipyard ambush.”
“Boss?” Marcus asked, confused. “We’re in position. Nikolai is supposed to bring Daniel Brooks for the exchange in six hours.”
“Nikolai isn't bringing Daniel Brooks to the shipyard,” Luca said, staring at the brass key Hannah was holding. “Because Nikolai never had him.”
Hannah gasped. “What?”
“Nikolai said the clockmaker fought well and broke a man’s jaw,” Luca explained rapidly. “Your father is sixty-two and completely blind, Hannah. He didn't break a Russian hitman’s jaw. Nikolai was bluffing. He heard us talking on the phone and realized we thought he had Daniel, so he used it as leverage to get the transfer deeds.”
“If Nikolai doesn't have my dad, who does?” Hannah asked, sheer panic lacing her voice.
“Antonio,” Luca said, his voice dropping to a dangerous whisper. “When the fail-safe went off, Antonio knew Patricia was running. He knew the Petrovs would come. And he knew if you and your father ever spoke again, the truth about the music box might come out. He sent his own loyal men to grab your father before the Russians even breached the estate.”
Hannah looked at the tarnished brass key in her hand.
“Where did he take him?” she asked.
Luca looked at the key. He recognized the intricate, antique design.
“I know exactly what that key opens,” Luca said, his eyes narrowing. “It opens the old vault beneath the original Moretti shipping warehouse in downtown Chicago. A place Antonio still controls.”
Luca turned to his driver. “Turn the car around. Get us to the nearest airstrip. We are going back to Chicago.”
Five hours later, the private jet touched down at O'Hare as the sun began to rise.
Luca didn't wait for his full security team. He, Hannah, and three trusted guards drove directly to the abandoned industrial district near the Chicago River.
The old Moretti warehouse was a towering brick relic of the 1920s, its windows boarded up and surrounded by chain-link fencing.
Luca cut the lock on the gate, and they moved silently to the side entrance.
“The vault is in the sub-basement,” Luca whispered, leading them down a narrow, dusty flight of concrete stairs.
They reached a heavy, iron-reinforced door at the bottom of the stairwell.
Hannah stepped forward, her hands shaking as she slid the heavy brass key into the antique lock.
It turned smoothly.
Luca pushed the heavy iron door open, his weapon raised.
Inside the dimly lit vault, sitting tied to a wooden chair, was Daniel Brooks. He was bruised and bleeding from a cut above his eye, but he was alive.
Standing over him, holding a suppressed pistol, was Antonio Moretti.
May you like
“I knew you would figure it out eventually, Luca,” Antonio said calmly, turning the gun toward his grandson. “I just hoped you’d die in New York before you did.”
TITLE: THE CLOCKMAKER'S STAND
